Chicha Culture: More Aspects

ART

Talking about Chicha is not that easy as it may be uncomfortable for some people, but the truth is that Chicha culture has become very popular and so easy recognizable that nobody can deny its 100% Peruvian.

As we know it today, the chicha culture represents the manifestation of a set of situations that corresponded to a society in transformation, a transition from an aristocratic-Creole society to a society established as more democratic, where all cultures coexist. , within a modern social context.

However, in order for the Chica culture to establish itself as such, a series of events had to take place.

The esthetic in Chicha Culture is very particular, as Quispe mentions "the phosphorescent color its contrasting combinations, typography, colloquial saying and popular phrases"

CHICHA ENTREPRENEURSHIP

Because of terrorism, many immigrants who lived in the highlands had to abandon their homes and were forced to create their own rules and new means of work. 


This is how the first street vendors emerged, occupying the center of Lima and constituting a first stage of struggle against adversity. At first they were seen as invaders, but over time they became formalized to form the basis of many family businesses. Great representatives of the entrepreneurial chicha culture are the owners of the AJE group, a company that comes from the department of Ayacucho, which was a region ravaged by terrorism and under these circumstances a drink called Kola Real emerged, which had a very accessible price, this company grew to reach with its products to other countries and compete with international markets.


 This culture called chicha is manifested with its own rules and responds to a need for development to create a different origin in the country.




What is chica aesthetic?


Chicha aesthetics consists of a series of visual products of popular origin that come from chicha graphics, due to a formal combination of the object that substantially includes the format, composition, structure, typography and color, in addition to textual elements: sayings, sayings and popular colloquial messages that identify it, as well as images and illustrations that complement the creation. All this has been progressively incorporated. That is, it is not a single product, but rather a set of them that configure the phenomenon itself. (paper, photographic paper, canvas, etc.), to its content (announce parties, communicates ideas, pays tribute to groups, ideas of identity, etc.), its format (different dimensions, murals, etc.).




References:

Quispe Lázaro, A. (2021). Estética chicha: nuevas formas de creatividad popular en Lima de inicios del siglo XXI. Debates En Sociología, (52), 61-93.

https://doi.org/10.18800/debatesensociologia.202101.004

La cultura chicha y la nueva clase emprendedora. (s/f). Edu.pe. Recuperado el 16 de octubre de 2022, de https://www.esan.edu.pe/conexion-esan/la-cultura-chicha-y-la-nueva-clase-emprendedora

https://www.researchgate.net/publication/221940405_La_cultura_chicha_en_el_Peru

Image References:

http://www.equipoplastico.com/projects/la-cuadrada/carteles-chicha/

Nuestra Historia. (2020, abril 23). AJE Group. https://www.ajegroup.com/nuestra-historia/

Villegas, J. P. A. (2021, mayo 25). Sendero Luminoso y las masacres que desataron el terror en el Perú desde los años 80. El Comercio Perú. https://elcomercio.pe/archivo-elcomercio/sendero-luminoso-y-las-masacres-que-desataron-el-terror-en-el-peru-desde-los-anos-80-sendero-luminoso-terrorismo-en-el-peru-masacres-abimael-guzman-lucanamarca-ayacucho-pampacancha-huanta-aucayacu-huanuco-la-hoyada-calle-tarata-miraflores-palo-acero-distrito-de-monzon-embajada-de-eeuu-jiron-olmedo-centro-comercial-el-polo-surco-huamanga-rio-apurimac-rio-ene-santo-domingo-de-acobamba-junin-hermanos-quispe-palomino-nnsp-noticia/

(S/f). Elcomercio.pe. Recuperado el 16 de octubre de 2022, de https://archivo.elcomercio.pe/noticias/cultura-chicha-518367

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